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Art
in
Japan>Contemporary
Art
1930-2004>Mori Arts Center:
Young Video Artists
Initiative
Original articles on art,
artists, architecture, exhibitions, galleries, museums and cultural
institutions around Tokyo, Japan.
Mori Arts Center: Young Video Artists Initiative
by John McGee

Computer
rendering of Mori Art Museum interior
(Images courtesy Mori Art Museum)
Roppongi "culture" (wink wink, nudge nudge) is
about to change. Don't worry, the hostess clubs and pick-up bars aren't
going anywhere. But the Mori Arts Center is coming soon to the Mori
Building Company's Roppongi Hills, a ¥260 billion development
currently under construction.
Mori's new Roppongi is already sporting an
impressive trophy case of nearly complete shiny office towers, chic
condos, Japanese gardens and a grand hotel. And like Guggenheim, Getty
and other moguls before him, real estate developer Minoru Mori is
finally turning some of his riches into art. Opening October 2003, the
new Mori Arts Center (MAC) will feature really "high" culture,
occupying the top five floors of the 54-story Kohn Pedersen
Fox-designed centerpiece of Roppongi Hills.
David Elliott, director of the
new
Mori Art Museum
The top two of those floors will house the Mori
Art Museum (MAM). Englishman David Elliott, appointed director last
year following five years at Stockholm's state-owned Moderna Museet,
sees the new, private art center becoming the cultural hub of not only
Roppongi Hills but all of Tokyo.
Other urban renewal projects with museums and/or
concert halls—Tokyo Opera City, Ebisu Garden Place, Ark
Hills—have had mixed results. Elliott says Roppongi Hills/MAC
is different because everything is conceptually integrated. And it
emphasizes the importance of culture by placing it literally above
business. "What we've got here is an art museum at the top of a huge
28-acre development. That says something about priority and economics."
Mori could have easily rented the prestigious top floors. "But they
decided, 'No, we are going to make this a public facility,'" says
Elliott.
In addition to displaying contemporary visual and
media art, design and architecture, this new art beacon will
commission artwork, organize art education programs, coordinate artist
and curator exchanges, conduct research, publish and, in general,
stimulate the Japanese contemporary art scene. "The fact that this
amount of resources is going into contemporary culture is bound to have
an impact," he says.
The MAM will sit atop the
Roppongi Hills
centerpiece office tower
According to Elliott, Tokyo already has good
museums, curators and artists. But it lacks strong support, especially
funding, and a center for cultural discourse. "This will be a very
important role for the museum to take on...to be a center for
discussion, a focus for activity," he says. Rather than competing with
contemporary art spaces like the Hara Museum and the Museum of
Contemporary Art, Elliott sees MAM/MAC providing mutual benefits. "It's
an accreditation and consolidation of what already exists," he says.
Education is key to establishing an informed audience invested in the
experience of contemporary art, according to Elliott. "People need the
information and tools to appreciate their own culture better," he says.
The MAC will allow people to participate in contemporary culture via
exhibitions, lectures, discussions, continuing education programs and
public art.
The museum also wants to encourage young artists
and designers. Young Video Artists Initiative, the MAM's first
"pre-event," does that. Elliott selected eight prize-winners
(¥300,000 each) and 14 runners-up from an open competition. The
show—which opens May 23 and runs through the end of the year
in the MAM's temporary exhibition venue, Think Zone—features
animation, claymation, film and pieces that will be projected onto the
white floors.
Is this the first of other Mori-sponsored
competitions? Will the museum collect? Many details of the MAM program
still await decision. For now, Elliott is busy enough hiring curators,
planning his first show, "Happiness," and relishing the challenge of
building the new museum from the ground up.
_______________________________________
This exhibition was held in 2002. Think Zone no
longer exists, but the Mori Art Museum is now open. See this
article for more on the museum.
©2006 John McGee
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