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Art
in
Japan>Contemporary
Art 1930-2004>Makoto Aida: My Ken Ten (short version)
Original articles on art,
artists, architecture, exhibitions, galleries, museums and cultural
institutions around Tokyo, Japan.
Makoto Aida: My Ken Ten (short version)
by John McGee

Makoto Aida, Niigata Shinkansen
and Japan mo from the "Minna
to Issho"
series, both 2002
The hanging scroll looks like a typical, if
simple, Japanese-style landscape painting—a boatman on a
river in the foreground, mountains behind. This 1987 work by bad boy
artist Makoto Aida, however, has no long poetic inscription at the top.
Instead, Aida wrote just two kanji—hetta (unskilled).
Aida
the Ironic, he knows all too well that he’s good at two
things above all else: painting and being a wise-ass.
Aida (b. 1965) emerged in the 1990s with sarcastic
work that weds
gold-leafed tradition with manga, Japanese past with Shibuya present.
Schoolgirls in sailor uniforms commit ritual seppuku. WWII Zeros
fly in
a figure eight pattern while firebombing Manhattan. Flamboyant to the
point of sensationalism, Aida keeps things under control with his
highly refined technique. Even his cockroaches and turds floating in
outer space don’t seem vulgar. In fact, such images are
usually the striking points in his visual debates about where Japan is
now and how it got here.
Aida’s show “My Ken
Ten” at Mizuma
Art Gallery in Naka-Meguro seems to taunt
Japan’s disgraced archeological community (in 2000, a
prominent archeologist was found planting artifacts in his digs,
raising doubts about years of discoveries). A video catches Aida
uncovering giant unko
(shit) from fictitious Jomon period dinosaurs in
the mountains of Aomori Prefecture. Actual pieces of his
“find” plus a new painting of a giant salamander
and a neon sign spelling out korosu
(kill) are also on display.
_______________________________________
This exhibition was held Nov-Dec 2003 at Mizuma
Art Gallery in Naka-Meguro, Tokyo, Japan.
©2006 John McGee
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